{"id":380,"date":"2009-07-07T10:23:41","date_gmt":"2009-07-07T10:23:41","guid":{"rendered":"https:\/\/steenbergen.dvdv.hu\/?post_type=awards&p=380"},"modified":"2023-08-10T10:28:28","modified_gmt":"2023-08-10T10:28:28","slug":"2009","status":"publish","type":"awards","link":"https:\/\/steenbergen.dvdv.hu\/en\/awards\/2009\/","title":{"rendered":"2009"},"content":{"rendered":"
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Introduction<\/h4>\n

In 2009 gaat het Steenbergen Stipendium samen met de Fotoprijs, een initiatief dat van de Bond van Verzekeraars dat in 2004 gestart is; in 2007 is Nikon Nederland aangesloten.<\/p>\n

Voor het Stipendium is de opzet in 2009 hetzelfde gebleven: de drie-koppige jury bezoekt de geaccrediteerde kunstacademies met een autonome fotografieopleiding.<\/p>\n <\/div>\n

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WINNAAR 2009<\/strong>
\nJoris Jansen<\/p>\n

GENOMINEERDEN 2009<\/strong>
\nMichiel Brouwer (St. Joost)<\/a>
\nPim Leenen (HKU)<\/a>
\nJoris Jansen (KABK)<\/a>
\nChristian Kryl (KABK)<\/a>
\nArjan de Nooy (KABK)<\/a>
\nNoel Loozen (Rietveld)<\/a><\/p>\n

JURY 2009<\/strong>
\nKim Knoppers
\nMarnix Goossens
\nColette Olof<\/p>\n <\/div>\n <\/div>\n<\/section>\n\n\n\n\n\n

ABSTRACT FROM THE JURY REPORT<\/h3>\n\n\n\n
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MICHIEL BROUWER (ST. JOOST)<\/h4>\n

Lapponensis<\/strong>
\nHe stands out with his documentary project \"Lapponensis.\" The project is characterized by its attention to a forgotten passage in Swedish history and an anthropological genre within the history of photography. In the early 20th century, Sweden sought to find the perfect Scandinavian race, conducting research through the Institute of Racial Biology until the late 1950s. Although the archive has been open to the public for five years, hundreds of remains have not yet been returned to the descendants. Brouwer effectively captures this story in a concentrated manner, making choices that bring the essence of the narrative to the forefront. This research calls for more exploration. The jury believes that an extensive \"Lapponensis\" project would work well in book form and hopes to be able to peruse it in the future.<\/p>\n <\/div>\n

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PIM LEENEN (HKU)<\/h4>\n

Zonder titel<\/strong>
\nThe jury couldn't ignore Pim Leenen's presentation. He displayed his black-and-white photos side by side, stacked vertically, sometimes in a block of six and other times individually. This presentation style complements the associative nature of the photos. Leenen combines everyday objects in such a way that your gaze is drawn from one to another, revealing connections between the objects. These connections often revolve around form and materiality. Leenen's work allows you to see everyday reality in a different way.<\/p>\n <\/div>\n

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JORIS JANSEN (KABK)<\/h4>\n

Flock<\/strong>
\nLuckily, the jury came across Joris Jansen's work, almost overlooking it due to its isolated location compared to the other photography students. Jansen's presentation consisted of multiple works. \"Flock\" consists of three works: an abandoned road, a vague figure, and a house shrouded in mist. From a distance, they appear as paintings, but upon closer inspection, you realize that each image is composed of pixels. Every photo is made up of images found on the internet, with each contributing the same amount of pixels to the entire image. The combination of found photos creates an archetypal image of what was already present in the collection of found photos. In \"Rainbow,\" Jansen combines found photos of rainbows to create a rainbow circle. The installation of interconnected computers that change colors reflects Jansen's fascination with systems and networks and fits well within the overall presentation. Jansen plays with the medium of photography and pushes its boundaries. The jury admires the strong concept of Jansen's work and is impressed by how he translates this concept into visually appealing images. The combination of ratio & technique and the almost romantic images it produces is very interesting.<\/p>\n <\/div>\n

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CHRISTAIN KRYL (KABK)<\/h4>\n

Top of the world<\/strong>
\nKryl is already a good documentary photographer who has the potential to become an excellent one. He has delved into a captivating subject: the elite of St. Moritz. In his photos, you can feel his fascination for this group but also the distance he maintains. Kryl's photos are technically precise, and he has a keen eye for details. He has committed himself to working on this project in the coming years, and the jury strongly recommends it. A promising start.<\/p>\n <\/div>\n

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ARJEN DE NOOY (KABK)<\/h4>\n

Uit de collectie van Arjan de Nooy<\/strong> De Nooy cre\u00eberde tijdens zijn eindexamenpresentatie een kabinet waarin plaats was voor archieffoto\u2019s, eigen foto\u2019s en een boekenkast met voor hem inspirerende boeken.. Belangrijker eigenlijk nog dan dit kabinet was de enorme stapel boeken van Arjen de Nooy zelf: De Facto \u2013 Een geschiedenis van de Nederlandse fotografie. Hierin werpt De Nooy een heel ander licht op de Nederlandse fotografiegeschiedenis vanuit zijn eigen perspectief. Het is een zeer persoonlijke geschiedenis van de fotografie waarin plaats is voor archieffoto\u2019s , gevonden foto\u2019s maar ook voor foto\u2019s die door De Nooy zijn gemaakt en gepresenteerd worden als ware ze van iemand anders. De jury heeft grote waardering voor de gewaagde aanpak van De Nooy. Het boek ziet er prachtig uit en laat je nadenken over de geschiedenis van de fotografie, subjectiviteit en kunstenaarschap. De jury is benieuwd hoe het volgende project van De Nooy er uit gaat zien.<\/p>\n <\/div>\n

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NO\u00ebL LOOZEN (RIETVELD)<\/h4>\n

Het afstudeerwerk van Loozen komt voort uit herinneringen aan, verlangens en heimwee naar de kindertijd. De foto\u2019s van plekken die hem daar aan doen denken zijn in de presentaties over elkaar heen geschoven. Net zoals herinneringen over elkaar schuiven en je er nooit helemaal grip op krijgt. Daarnaast presenteerde Loozen twee films. Rastplatz laat een rennende man zien die steeds op andere plek over een versperring springt. In de montage wordt het een lange, rennende reis. Daarnaast is een film te zien waarop Loozen zelf in therapie is. Dit sluit aan bij het persoonlijke karakter van het werk. De jury vind de manier waarop een heel persoonlijke zoektocht naar verleden, herinnering en het verleggen van grenzen vertaald is naar universele beelden die ook anderen beklijven knap gedaan. De goeduitgedachte presentatie versterkt het werk.<\/p>\n <\/div>\n

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