{"id":428,"date":"2007-07-10T17:21:29","date_gmt":"2007-07-10T17:21:29","guid":{"rendered":"https:\/\/steenbergen.dvdv.hu\/?post_type=awards&p=428"},"modified":"2023-08-10T10:28:28","modified_gmt":"2023-08-10T10:28:28","slug":"2007","status":"publish","type":"awards","link":"https:\/\/steenbergen.dvdv.hu\/en\/awards\/2007\/","title":{"rendered":"2007"},"content":{"rendered":"
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Introduction<\/h4>\n

Ook dit jaar bezochten de jury weer de academies op zoek talentvolle afstudeerders. De jury voor het stipendium bestond dit jaar uit ons nieuwe jurylid: Marnix Goosens, uit galerist Ron Mandos en Miriam Bestebreurtje.
\nElk jaar bezoekt de jury die kunstacademies, die een aparte richting fotografie hebben.
\nDit zijn: de KABK Den Haag, St Joost Academie Breda, AKI Enschede, Rietveld Academie Amsterdam en de HKU Utrecht. <\/p>\n <\/div>\n

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WINNAAR 2007<\/strong>
\nMark Vincent Houston
\nBergje van Berg - honorable mention<\/strong><\/p>\n

GENOMINEERDEN 2007<\/strong>
\nErwin Venema (HKU)<\/a>
\nBregje van den Berg (KABK)<\/a>
\nDerk Alberts (KABK)<\/a>
\nFolkert van Dunn\u00e9 (KABK)<\/a>
\nShinji Otani (Rietveld)<\/a>
\nMarc Vincent Houston (Rietveld)<\/a>
\nErnst Seaber (St. Joost)<\/a><\/p>\n

JURY 2007<\/strong>
\nMiriam Bestebreurtje
\nRon Mandos
\nMarnix Goossens
\nDownload the Jury Report<\/a>.<\/p>\n <\/div>\n <\/div>\n<\/section>\n\n\n\n\n\n

ABSTRACT FROM THE JURY REPORT<\/h3>\n\n\n\n
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ERWIN VENEMA<\/h4>\n

Erwin Venema maakte een serie over Sportswearfetisjisme, een sterk groeiende subcultuur in de Nederlandse homoscene. In het verleden was dit misschien een problematiserende zwartwit reportage geworden, maar in de handen van Erwin wordt het een glossy en erotische ervaring.
\nHis second work is called \"Tube You: You Tube\" where You Tube has already brought a lot of success to several bands and artists. Erwin also tries his luck, delivering a charming performance using this rapidly growing medium.<\/p>\n <\/div>\n

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BREGJE VAN DEN BERG<\/h4>\n

Bregje van den Berg was een van de studenten voor wie tijdens de eindexamententoonstelling een aparte kamer gevonden moest worden. Haar werk stond geheel op zichzelf. Voor haar afstuderen heeft zij autobiografische gegevens verwerkt met een documentaire serie tot het project Rob & dochter. Het is een onderzoek naar de relatie tussen de vader en dochter die samen een gezin vormen. Heden en verleden, tijd en vergankelijkheid, amateur \u2013en professionele fotografie vormen het project, dat verschillende uitingen kent: een boek, film, fotografie en een installatie. Het is juist de volledigheid van het project die ons overtuigde, het complexe thema wordt van verschillende kanten behoedzaam benaderd en de verhalen krijgen de kans zich te ontvouwen.<\/p>\n <\/div>\n

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DERK ALBERTS<\/h4>\n

Het project van Derk Alberts, Aerotropolis, is een studie naar het stedelijke fenomeen van de Airport City. Hoe ziet het gebied eruit dat gepland is rond logistieke en economische efficiency? Schiphol is \u00e9\u00e9n van de oudste vliegvelden in de wereld en heeft zich als een van de eerste luchthavens kunnen ontplooien tot een echte Aerotropolis.
\nDerk is interested in the aesthetics of the rationally built city. In the graduation exhibition, his film was also on display, although unfortunately it cannot be shown here. His research demonstrates a deep understanding of the genre he chooses, and he presents the architectural space without resorting to sensationalism or exaggerated effects.<\/p>\n <\/div>\n

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FOLKERT VAN DUNN\u00c9<\/h4>\n

Folkert van Dunn\u00e9 is de derde student van de KABK, en ook heel bijzonder: namelijk van de deeltijdopleiding. In 2006 wordt in Riga, Letland, de tweede Gay Pride georganiseerd. De Letten geven blijk van homohaat op grote schaal. Deelnemers worden bekogeld met poep en eieren en de politie reageert nauwelijks. Voor Folkert was dit de aanleiding voor zijn afstudeerproject. \u2018Sweetie\u2019, noemen homomannen in Letland hun geliefde in het bijzijn van anderen. Verder durven ze niet gaan. Met deze portretten krijgen de mensen om wie het gaat een gezicht. Ze zijn bewust voor de camera gaan staan als homoseksueel, omdat ze zichzelf willen laten zien zoals ze zijn. Het project toont Folkerts engagement, maar in zijn fotografie weet hij een grote concentratie voor zijn onderwerp op te brengen en terwijl omgeving en aankleding steeds het zelfde zijn, weet hij het individuele van elk model door te laten klinken.<\/p>\n <\/div>\n

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SHINJI OTANI<\/h4>\n

Shinji Otani (Rietveld):<\/strong> His home country Japan is always characterized as \"The Land of the Rising Sun.\" That's why for Shinji, it's fascinating to explore an area where there is no sunrise during the winter months, as is the case in Scandinavia. His research focuses on the period between the beginning of winter and the beginning of spring: the fragile line between light and darkness. His photographic style is intriguing. On one hand, there's his choice for black and white, something that is less common among students nowadays. But there are also his choices in composition: it feels familiar yet you can also sense a different visual language resonating through his work.<\/p>\n <\/div>\n

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MARC VINCENT HOUSTON<\/h4>\n

Marc Vincent Houston (Rietveld):<\/strong>\u00a0His research seems to focus on very subtle details. For his series of portraits, he chooses an unassuming character. Even his photography is not overtly pronounced. Yet, as a series, and even in each individual image, the photographs acquire a sense of monumentality. The images bring the viewer close to the person being portrayed, and as a whole, they come together to form a kind of monument for an otherwise unremarkable young man.
\nIn his films, Marc intentionally uses nostalgically evocative Super 8 black and white footage, which deceives the viewer. It may initially appear to be a film about memory and emotion, but it actually explores movement and identity.<\/p>\n <\/div>\n

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ERNST SEABER<\/h4>\n

Ernst Seaber (St. Joost):<\/strong> Ernst's series \"De tuin van Rotterdam\" revolves around a group of African men who gather daily at a local barbershop, which also serves as a social and cultural center. The series explores their search for a sense of home, often accompanied by loneliness, financial struggles, and uncertainty. Ernst is particularly interested in the sense of community and how these men shape their African identity in the Netherlands. Through his poetic and compassionate visual language, Ernst elevates this series above conventional documentary projects, capturing the essence of movement and identity while using intentionally nostalgic Super 8 black and white footage, which misleads viewers into perceiving the film as a story about memory and emotion.<\/p>\n <\/div>\n

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